I’m interested in creating pictures that are hard to know— that one can name, but not place—moments that are specific and memorable but also
elusive and slippery. I draw from everyday objects, characters, and places, to
create imagery that is up for interpretation, stories that do not give away the
plot.
My paintings are small. In this way, I hope the viewer has a more intimate experience, looking closer, and hopefully, lingering on the open-ended.
I think about the ambiguity in my work as a way to work through my feelings of uncertainty. As a way to observe what is unsteady, and unclear about life— to recognize the world as tenuous and full of doubt, as both familiar and strange.
My paintings are small. In this way, I hope the viewer has a more intimate experience, looking closer, and hopefully, lingering on the open-ended.
I think about the ambiguity in my work as a way to work through my feelings of uncertainty. As a way to observe what is unsteady, and unclear about life— to recognize the world as tenuous and full of doubt, as both familiar and strange.